MARGUERITE BAKER JOHNSON: “AMERICAN LIFE” (1952-1964)

Marguerite Baker Johnson, a native of Brussels Belgium was a noted female photographer noted as the first woman to take photographs inside the arena at “Cheyenne Frontier Days”, a task formerly conducted by men due to the dangerous setting. Her photos appeared in the New York Times, Chicago Tribune, Automotive Periodicals, London Times, Daily Mirror, […]

Jerry Brendt: Scene from 1960’s Boston – ‘The Combat Zone’

                ‘The Combat Zone’ was the name given to the roughest area in Boston at the end of the 1960s, full of violence, sexual exploitation and racial war. In 1967, Harvard University commissioned Jerry Berndt to explore this Boston of shadows and vice. Like a war reporter, the […]

JO ANN CALLIS: “EARLY COLOR”

  Although my work outwardly seems to vary over many years, there are certain links running through all of it. I consistently want to make things that satisfy my sense of beauty. I respond to the tactile nature of things. Another element that pervades it is tension or anxiety. These elements always live within me […]

RON GALELLA: “PAPARAZZI”

  Jackie O. sued him (twice), Marlon Brando broke his jaw and Richard Burton’s bodyguards beat him up bad.  Dubbed “Paparazzo Extraordinaire” by Newsweek and “the Godfather of the U.S. paparazzi culture” by Timemagazine and Vanity Fair, Ron Galella has historically been regarded as one of the most controversial celebrity photographers in the world.     http://www.rongalella.com/   (All […]

Lee Friedlander: “The New Cars 1964” (2011)

  In 1964, two young art directors at Harper’s Bazaar named Ruth Ansel and Bea Feitler hired the then up-and-coming photographer Lee Friedlander to photograph the much-anticipated new car models of that year. Friedlander’s jazz album covers had proven he knew how to work on assignment, and Ansel and Feitler realized that if Bazaarwas to […]

Araki’s Chiro, Yoko, Death and the Baring of a Soul

  In Sentimental Journey and later in Winter Journey Araki documented both the intimate and the mundane from his honeymoon and his wife’s terminal battle with cancer. By blurring the boundaries between life and art Araki’s work becomes uncomfortably candid, presenting death with a reverence as shocking and graphic as any of his more erotic […]

Man Ray – “Rayographs, Etc.”

    Man Ray made his “rayographs” without a camera by placing objects-such as the thumbtacks, coil of wire, and other circular forms used here-directly on a sheet of photosensitized paper and exposing it to light.

WALKER EVANS: “DRIVE-BY PICTURES”

Walker Evans, pictures taken from a moving automobile or train.   EXPLORE ALL WALKER EVANS ON ASX (© Walker Evans Archive, The Metropolitan Museum of Art.)

Edward Hopper: “Survey” (1882-1967)

  Edward Hopper (July 22, 1882 – May 15, 1967) was a prominent American realist painter and printmaker. While he was most popularly known for his oil paintings, he was equally proficient as a watercolorist and printmaker in etching. Both in his urban and rural scenes, his spare and often melancholy renderings reflected his personal […]

JOHN BANASIAK: “GEORGE BROWN’S BAR” (1970-71)

From 1971-1981, John Banasiak photographed Chicago and surrounding areas at night. During that time, Banasiak would wander around the city at night, looking for quiet scenes he describes as “stage sets just waiting for the players to arrive.” http://www.josephbellows.com/ (All rights reserved. Images @ Joseph Bellows Gallery.)  

Vietnam Zippo Lighters (‘DEATH FROM ABOVE’)”

    Vietnam War-era Zippo lighters featuring personalized and anonymous engravings chosen by U.S. soldiers, sailors, and airmen during deployment. The collection has been compiled individually by American artist Bradford Edwards over several years in the 1990s, on-site in Vietnam. (Images @ Cowan Auctions)

WALKER EVANS: “POLAROIDS OF WOMEN”

“I’ve now taken up that little SX-70 camera for fun and become very interested in it. I’m feeling wildly with it. But a year ago I would have said that color is vulgar and should never be tried under any circumstances. It’s a paradox that I’m now associated with it and in fact I intend […]

LUIGI GHIRRI: “KODACHROME”

    Luigi Ghirri (1943 – 1992) was an Italian photographer who, beginning in the 1970s, produced pioneering color photographs of landscape and architecture within the context of conceptual art.   (All rights reserved. Images @ the Estate of Luigi Ghirri.)

KEIZO KITAJIMA: “USSR 1991” (2012)

  In the fall of 1990, Keizo Kitajima received a commission from Japan’s Asahi Shimbun newspaper to visit the Soviet Union, the opportunity to spend a year documenting both people and places in what was then a monolithic entity. 15 republics, 11 time zones, and thousands of miles spanning the two—the task was daunting in […]

Daido Moriyama: “Tights and Lips”

  One of the most revered living Japanese photographers, Daido Moriyama’s work is saturated with the melancholic beauty of life at its most ordinary. His photographs epitomize wabi-sabi, the Japanese aesthetic of finding beauty in imperfection. Moriyama focuses in on the lost and the discarded, and finds echoes of living through the breakdown of traditional […]

COLITA: “SPAIN”

Isabel Steva Hernández, “Colita”, was born in Barcelona in 1940. After finishing her pre-university studies she moved to Paris to study at the Sorbonne. On her return to Barcelona, she learned the photographer’s trade from Oriol Maspons, Julio Ubiña and Xavier Miserachs. In 1962 she worked on the film “Los Tarantos” and became friendly with […]

Eihoh Hosoe: “Photographs”

“To me photography can be simultaneously both a record and a mirror or window of self-expression… the camera is generally assumed to be unable to depict that which is not visible to the eye and yet, the photographer who wields it well can depict what lies unseen in his memory.” – Eikoh Hosoe ASX CHANNEL: […]

ISSEI SUDA: “NITIZYOU”

  Issei Suda was born in Tokyo in 1940 and graduated from the Tokyo College of Photography in 1962. He worked as a freelance photographer from 1971 and taught for many years at the Osaka University of Arts. (All rights reserved. @ Issei Suda.)